Having two cameras, one dSLR and one PnS, is a good thing. Depending on the situation and the size of the bag I’m carrying, I can opt to bring one or the other, or both. The downside, however, is I’m hitting more or less the same range of image number on both cameras. When it comes to organising them, I had to be very careful not to let any overwriting from happening. My folder system goes by the event name, and photos from both cameras could potentially end up in the same folder. I should reset the count for one of them.

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5 Aug: This kitty in real life look like a grey fluffy ball, loves to be petted, super duper cute, but for some reason, when I tried to photograph it, it gave me this serious big cat-like look. I guess it didn’t want to appear too adorable, and it was not too adorable indeed when it jumped on me at breakfast table one morning. It went straight onto my lap and leaving some scratch mark even though I tried to lift it up as quickly as I could. See, I was wearing shorts… ouch!

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Most times, sculptures are just that. A piece of art work on display, usually high up on a pedestal of some sort, or protected in some other way. They certainly give an air of “do not touch” although usually when someone do disregard the convention, then the poses are inevitably to (1) evoke humour of some sort, or (2) have photographic proof that one has visited that particular point of interest.

“Interactive” sculptures are less often found publicly. L’écoute by Henri de Miller is not exactly one intended for such, but there’s a certain quality to it that invites people to treat it more casually and to form an interaction of some sort, most commonly to perch in its palm and be photographed. Kids absolutely love it. A bit like the column sculptures in Palais Royal, where they can run about and hop between the columns.