Our August travel in Bretagne Sud had taken us to the quaint village of Saint Cado, the Bay of Biscay for Barre d’Étel and Gâvres, and the peninsula of Quiberon. However, we simply cannot drive past Erdeven and Carnac without visiting at least one of the several megalithic sites the region is famous for!

We strategically searched for a chambre d’hôte that is close to my friend’s wedding reception yet within reach of interesting spots to sightsee. An online search led me to the B&B of Kerzerho where we were very well looked after by Dominique throughout our stay. Frederic and I were given a room with a balcony where we could have breakfast on sunny mornings, and both ours as well as our friends’ rooms were tastefully decorated and immaculately cleaned. Moreover, Dominique is an active member of the local tourism board and therefore has plenty of tips to offer.

Anyway, I digress.

A short walk away from our B&B is the megalithic site of Erdeven itself! Comprised of over 1,000 standing and 5,000 lying stones, this site also known as Kerzerho alignment is the most significant site after the three main ones in Carnac. From the main road passing through Erdeven, some of these standing stones – menhirs – are clearly visible. One needs to only follow the path to enjoy a couple of hours of walk among the menhirs, spot the praying table, and marvel at the rare remaining dolmens.

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This week, I discovered that being a translator is probably not a career alternative I should pursue. My friends, in the spirit of keeping things bilingual for their wedding, had asked me to help out with certain tasks (e.g. translating wedding ceremony programme, speeches), and working from English into French, oh dear… I am lucky I have other wonderful friends around me who helped to proofread my translations, and I also roped F into translating some particularly tricky texts. What would I do without them?

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29 Jul: This piece of street art reminds me of the sculpture of Le Passe-Muraille to commemorate Marcel Aymé that can be found in Montmartre. The main differences? This is on the other side of the wall, thus forming a continuation of sort to the sculpture, and this is a very modern take, for I don’t think hoodie fits into the setting of Aymé’s story. Disclaimer: I don’t know if the artist intended this as an echo to Le Passe-Muraille. Total speculation on my part.

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